Keheley graduated from Dartmouth and moved to Taos in 1987. She has had seven Solo Exhibitions and has participated in juried aand group shows in New York, Princeton, Taos, Santa Fe, Los Angeles, Philadelphia and Laguna Beach. Keheley’s paintings are included in the corporate collections of Novo Nordisk and Pennsylvania Power and Light as well as private collections in several countries.
Experiments with light, colour, atmosphere, and space have always characterized her work. Keheley’s paintings explore time, beauty, memory and how these relate to the evolution of insight. This metaphysical content is anchored by an interest in science and theories of colour and light.
Michael was born in Embudo, New Mexico on March 25, 1969. He earned a Bachelors degree with an emphasis in art and business at the University of New Mexico in 1997. Michael has never had any formal training in art other than through his course of study while attending University. Michael began painting seriously in the spring of 2005. The creation of a character called “Blue Donkey”, and the idea of having him in every home looking after the daughter that he hasn’t seen in 3 years. Through this “Blue Donkey”, an idea for a children’s book has developed. Michael is driven by an inner anguish and an incredible amount of energy. In his first year of selling art, he sold over 200 paintings.
Located on Gallery Row in the central historical district, Greg Moon Art prides itself in continuing the fine art traditions of Taos. We specialize in contemporary works ranging from oils to assemblage…genres of work include realism, outsider art, and pop-surrealism. Our annual national juried show endeavors to provide a showcase for up and coming talents to gain exposure in the New Mexico art market while helping to provide visibility for the overall profile of the arts in Taos. Our invitational shows are geared towards exhibiting artists and genres that are under-represented in the New Mexico region.
Greg Moon Art showcases the work of Taos artist Greg Moon in its many varied mediums and forms. We also proudly represent the work of Marvin Moon, Joel Nakamura, Dennis Larkins, Esteban Bojorquez, Holly Wood, Melissa Parra-Morrow, Conrad Cooper, and Vanessa Moon.
Greg Moon returned to New Mexico following a 22 year absence shortly after receiving his BFA from the University of Texas in Austin. The son of an artist and an educator, his introduction to the arts started early. “My mother has a Master’s degree in Art Education and my father is a retired Art Professor/ artist who has a PhD in the same field. No matter how I struggled against it early on there was little doubt I would end up in the arts. Most of my friends growing up had People Magazine on the living room coffee table – in our house it was American Artist and Art in America.”
Greg has been showing professionally since 1989 in galleries and museum shows; at this point he has participated in over 120 exhibitions and has amassed 18 one-man shows. His work is split between several diverse bodies of work that reflect his varied aesthetic tastes and interests. At present his artwork includes more traditional media such as watercolor, gouache, and oil painting. He also produces work in the realms of assemblage and mixed media.
BJ Briner’s art reflects the bold lines of high desert plateaus, panoramas and vistas nuanced in shades and hues of oil pigment on paper where flowers, canyons and stars become as bold as the earth and sky themselves.
From “Best of Show” at the Taos Spring Arts Festival, to donating works for philanthropic organizations, to works hanging in the US Justice Department, Briner’s art remains as consistent and varied as the desert plateau that not only inspires her work but cradles her life.
An internationally recognized artist with a background in traditional impressionism. During his tenure at the prestigious American Academy of Art in Chicago, he was the recipient of numerous scholarships, grants and awards. Richard strives to render, in his words, “a visual poem” with each painting.
Malcolm Furlow – One of the most important Artist of our time. You recognize his hallmarks: electrifying colors, vibrant portraiture, and masterfully constructed scenes borne from both introspection and retrospect. Malcolm Furlow’s prolific body of work continues to earn critical acclaim around the world. Overwhelmingly considered a living legend, the master painter remains a significant figure in the fabric of the American Southwest. A recently filmed documentary entitled the “Life and Art of Malcolm Furlow, “refers to him as a “Renaissance Man”: the quintessential cowboy, musician, and intellectual artist. He is an award-winning painter, whose accolades include the Silver award from the Sorbonne, and the highly coveted Gold Award from the world-renown Luxembourg Museum, Paris.
As of spring 2007, Furlow has “sold-out” over fifty solo shows. Malcolm Furlow’s paintings command principal placement in exhibitions, philanthropist campaigns, and private collections around the world, including the U.S. Embassies of Morocco, Belgium and Beijing; the White House; CEO Magazine; The Smithsonian; Mobil Oil; Arnold Schwarzenegger; Samuel Goldwyn; Richard Pryor; Presidents George H.W. Bush, Bill Clinton, and George W. Bush; Senator Hillary Clinton; Bernadette Peters; Wes Studi; Phyllis Diller; William DeVane; B.J. Thomas; Jane Goodall Institute; Darryl Hannah; Eiteljorg Museum; Jon Bon Jovi; National Wildlife Museum; Koshare Museum; Santa Fe Fine Arts Museum; Paul Clarkson; Coca Cola Olympic Pavilion; Make a Wish Foundation; NBC’s Today Show; Raymond James Financial Art Collection; Columbia University; and many others.
After Allen Polt earned his degree in Illustrating Arts he worked in New York City, drawing portraits for the Wall Street Journal. He continued his painting studies under the direction of Frank Reilly of the Art Students League.
He has chosen watercolor as his primary medium because it is unforgiving. Allen likes the risk and how it heightens his artistic awareness. Every portrait presents a new challenge.
Helga Haller studied at the University of Michigan, receiving a BFA and MFA in ceramics and painting. Her works have been exhibited in numerous national and international juried shows.She is a signature member of the Gold Coast Watercolor Society and the Taos Society of Watercolorists. Helga’s paintings are being shown at Las Comadres Gallery in Taos.
I was born at a very young age.. and though not so young now I love to paint and sculpt my art. In 2007, I sculpted the largest block of marble ever sculpted in America … 72, 000 lbs! It is the centerpiece for the West Texas A & M University.
Born and raised in the small French town of Presque Isle, off the coast of southern Maine, Shelbee grew up with rich artistic traditions. Her mother, an interior designer, was her first great inspiration. They would spend hours examining the intricate work of God in the face of the tiniest flowers. Her father left the high-tech computer industry to open a specialty store featuring fine furniture and accessories. Shelbee’s only sister is an artist and the owner of a company that distributes art. Claude Almand, her uncle, was an art professor in Connecticut and Shelbee remembers being exposed to his work early on.
After high school graduation, Shelbee majored in art at the University of Southern Maine. Greatly encouraged by Art Prof. David Schneider, she later apprenticed with Downeast Design Resources and with Colores International.
Marriage brought Shelbee to Taos in the early 90’s where her work has been influenced by strong Christian roots, the power and simplicity of the land and her newly found Spanish heritage. An abstract painter who entered the Taos Open Show, in 1997 Shelbee was honored with the People’s Choice Award. She has exhibited at various shows and galleries around the world including N.Y.; Atlanta; Birmingham, England; the Caribbean; and of course here in the Southwest! Her work can be seen in Taos at the Michael McCormick Gallery.
In her painting, Shelbee desires to show movement and change through a mixture of mediums and textures to create a sense that “life” is occurring, even as we stop to view it.
For over 30 years Doug West has been interpreting nature of the Western landscape and the drama of its skies. From his hand pulled serigraphs and monotypes, to his original oil paintings, Doug’s art has been noted for a clarity of vision in capturing the drama of the Southwest.
Still in his early twenties, Miguel found a style which has become his signature. Moved by deep respect and admiration, he began a series of large faces of women, enlarging and stylizing the eyes, endowing them with mystery of illusive and provocative expressions, created them in an ambience of everyday life, giving them a voice which has inordinately proved to speak to the hearts of a universal following.
Artist Suzanne Wiggin’s roots are planted deep in the swamps of Louisiana. She moved to New Mexico as a young woman and fell in love with the light and the landscape. Her early work focuses on the beauty of the Southwest and has expanded considerably over the years.
Recently, Suzanne has added printmaking to her repertoire of work. Through monotypes and etchings, she has taken her work to a new level. She has explored beyond landscape into several subjects, such as leaf crowns and flower buds.
Suzanne makes her home in a valley near the quaint, art-centric town of Taos. Much of her work is landscapes with the stunning light the area offers. A wealth of colors come in every shade throughout the seasons, giving her an endless variety of scenes to work from. The trees, the leaves, the mountains, the waterways… All have been captured in their timeless beauty through the movements of her brush.
My creative and artistic life involves my inner life. I use tar, encaustic and gold leaf in my paintings, layering one on top of another, time and again. I then dig back through the layers as an archeologist digs, to find some form, some clue to my own expression. Presently I am engaged with experimenting with my inner resources (ideas and feelings) and translating them into some abstract vocabulary of color and form. These colors and forms become gestures in paint and my language, my voice, my way of expression.
“All that exists is a venue for art. I see it, I feel it — I just begin to draw it and good things happen. I work without the rational mind and paint from the zen of ‘no mind’.”
“There is nothing that you can’t draw if you just try.”
I set out to prove this philosophy each time I approach a blank canvas or an inky black plate, prepared for a monoprint. It is an attitude invigorated by confidence and tempered by a clear understanding of the world of light and shadow. I waste little time in considering what I have chosen to create. Instead I observe and then vigorously interpret. The process of painting is to go with the development as it happens. Notice the changes and respond to these. Paintings become fresh for the artist and the viewer.
My strength lies in the absence of timidity in my stroke and my reverence for materials. I prefer to drop vulnerabilities and reservations for aggressive movement and spontaneity, arresting the most out of what the process and the materials have to offer.
With oils, Ouray paints the landscape and the people of Taos. He bathes these subjects in that particular quality of light which is so characteristic of Taos. And into his paintings, he pours his belief in the ineffable spirit which resides in this special place.
“Taos is much deeper, fuller and richer than what I or anyone else can see with the naked eye,” he says. “I’m always trying in my work to express these deeper aspects of Taos. I do it in the hope that others will feel Taos the way I do.”
Ouray Meyers was born and raised in Taos. He has the same regard for Taos that his legendary father, Ralph Meyers, had for Taos. An Indian trader, artist and writer, Ralph Meyers was one of the central figures in Taos during those halcyon days before the valley was discovered by the rest of the world. He was a close and trusted friend of the Taos Pueblo Indians, and his Indian friends gave his son, Ouray, their own name- Toshanie, or Dawn Boy
Ouray Meyers is principally a self-taught painter. His use of color is intuitive. His style is individualistic and unmistakable. Yet he has certainly been influenced by the early Taos painters, perhaps by Walter Ufer in particular. From Ufer, Ouray learned to recreate the beautiful and powerful sky and light qualities of Taos. Ouray’s innovative and contemporary style of painting touches the emotions of the viewer. The ethereal quality of his work tends to make people feel good.
Many of the other Taos masters were close friends of the Meyers’ family. Joseph Sharp, Buck Denton, Leon Gaspard, Nicolai Fechin, Dorothy Brett, and Georgia O’Keeffe were frequent visitors. As a boy, Ouray watched and listened to them. From their example, he learned about both fine art technique and fine art spirit.
Ouray’s paintings are aspects of Taos which will never change, such as the mountain and the Rio Grande gorge. In yet another style, Ouray paints works of symbolic, yet direct expressionism. Works which evoke the spirit of gentle strength he believes to be essential in Taos.
I came to the US from Holland at a young age and was influenced by the beauty and variations of the land. I use the contrast of light and dark as practiced by the old masters, and yet capture the spirit and essence of a place with color, texture, and perspective. During my time in Taos (25years) I have painted mostly traditional landscapes which were sold in various galleries. My contemporary, unique abstracts were done inside the studio. These special paintings are signed with my former Dutch name, Kronenburg, and initialed in the field of the painting “RJP.” They include portraits, nudes, abstracts, and still lifes.
About her work, Bren reflects, “For me, the freedom of going into another realm where there are no rules, no boundaries, just that oneness of being in process with the creation, is what being an artist is about. . . I want viewers to become such a part of my work that they are filled with questions, not answers; that they must interpret what is there, and that they will find something in my work that is theirs alone – a journey of discovery.”
Captivated by the inimitable light that is Taos upon a chance visit in 1988, I find continuous inspiration in the ever-changing vistas, uncompromising clarity, and intense climate that permeate the everyday. While impulse and uncertainty drive my process, I am methodical, mindful and deliberate in practice. This task charges me to be patient and alert, and invites me to dance to my own rhythms, moving through non-associative colors, heightened contrasts, and sinuous contours that define my work.
Recipient of the 2012 Agnes Martin Award for Abstract Painting and Drawing, Mimi shows in New York, New Mexico, California, and Hong Kong.
Tracy Turner, a native of the west, was influenced in her early life by spectacular landscapes, brilliant colors and a sence of magical realism. This passion is reflected in her vibrant paintings and pastels.
At age 20, she studied art in Aix-en-Provence, France, where she first discovered the joy of plein-air painting. She traveled throughout the countryside of southern France painting outdoors in some of the favorite spots of Van Gogh and Cezanne.
Mary began painting after losing her voice temporarily due to cancer. And she hasn’t stopped since!
Her dwellings and structures are often anthropomorphic and her compositions contain many symbols that are reflective of her life experiences. The colors, textures, layers and titles work together to give Mary another form of communication.
In spite of the many challenges she continues to face, her paintings remain warm and welcoming, with a lingering aura of optimism.